We’re excited to take part in Extreme Chill this summer with some of our favorites among European and Icelandic electronic musicians: Hans Joachim Roedelius, Hilmar Örn Hilmarsson, Stereo Hypnosis, Þóranna Björnsdóttir, and Jón Ólafsson & Futuregrapher. The festival will take place at Vík í Mýrdal by the south coast of Iceland, 2-3rd of July. For more information, visit extremechill.org. For scenes from Vík, watch the teaser trailer:
We’re over the moon having made Veronica Vasicka’s and Karl O’Connor’s lists – to quote Yatra-Arts:
“Reptilicus – “Initial Conditions” single on Yatra Arts makes the cut for Veronica Vasicka / Minimal Wave’s best of 2013 list on Boomkat.com. We are truly honoured as we have great respect for her label, radio program & vision.” / “and also on Regis (Karl O’Connor) / Downwards chart as well”
Canadian Label Yatra-Arts released a unique CD at the Iceland Airwaves festival this October: Höfnin Hljómar, Sounds of the Harbour, a compilation Icelandic electronic music. The concept is the brain child of Yatra-Arts founder Praveer Baijal who co-produced it with Toronto’s William Blakeney. The compilation is a snapshot of what’s happening at fringes of the Icelandic electronic scene at the moment.
Reptilicus is pleased to be part of the project in the illustrious company of Gjöll, Björk Viggósdóttir, Auxpan, Jóhann Eiríksson, Inside Bilderberg, AMFJ, Stereo Hypnosis, Jónas Sen, Sigtryggur Berg Sigmarsson, Þóranna Björnsdóttir, Þorkell Atlason and Rúnar Magnússon. Our pleasure is not diminished by the fact that an excerpt of our live cooperation with Auxpan from 12 Tónar is included.
Reptilicus concluded Yatra-Arts’ label night at the Iceland Airwaves festival, October 30th, celebrating the release of Höfnin Hljómar, Sounds of the Harbour, a compilation Icelandic electronic music. To cite The Reykjavik Grapewine review:
“Last but not least closing the show was Reptilicus. For those unfamiliar with this duo this was witness to experimental Icelandic royalty. Over 20 years of pushing the boundaries of sound and music, they took the the stage like the sentries of the scene, sage like. This set was thunderous and unflinching. Despite the obvious lineage to industrial, kraut and Dada, Reptilicus split the sound of time in half. Simultaneously a prehistory and post history experimental electronic music. Textural, beat driven, granular perfection. In actuality, I really don’t think it is quite accurate to describe them as experimental. Other than the original output signal, their deft control and articulation of the set was poignant, sharp, and hitting.”
Listen to us on Earbits Free Online Radio http://www.earbits.com/s/GcA5Z4065Y9u64
We’re grateful for the invite to Factory Experimental Music Minifest at Hjalteyri last week. We had excellent time with Re-Pete, Dick Vegas and all the rest – thanks!